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Engelse letterkunde --- Letterkunde --- Littérature --- Littérature anglaise --- 82 (Howells, W.D. 7.03 = 4)

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Exploring the consciousness and creative impulse of William Dean Howells, Professor Vanderbilt finds that Howells' personality reflected the mixed feelings of the American mind in an ambivalent and transitional society. By this interpretation he introduces a new and imaginative approach to the writer and his work, and Howells emerges as one of the major American literary figures of the late nineteenth century. The author's impressive research into all of Howells' works is evident in his discussion of four novels which appeared in the 1880's, The Undiscovered Country, A Modern lnstance, The Rise of Silas Lapham, and A Hazard of New Fortunes. Originally published in 1968.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Realism in literature. --- Didactic fiction, American --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism. --- Howells, William Dean, --- Criticism and interpretation. --- Howells, W. D. --- Howells, William D.

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"Comparative study of Henry James's and William Dean Howells's literary criticism. Examines the interrelationship between the men, emphasizing their aesthetic concerns and attitudes toward the market and audience, and their beliefs concerning the moral value of fiction and the United States as a literary subject, and writings about each other"--Provided by publisher.

James, Henry --- Knowledge --- Literature --- Howells, William Dean --- American literature --- History and criticism --- Theory, etc. --- Criticism --- United States --- History --- 20th century --- 19th century --- James, Henry, --- Howells, William Dean, --- Howells, W. D. --- Howells, William D. --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- ‏جميس، هينري،‏ --- جيمز، هنرى --- Literature.

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Possibly the most influential figure in the history of American letters, William Dean Howells (1837-1920) was, among other things, a leading novelist in the realist tradition, a formative influence on many of America's finest writers, and an outspoken opponent of social injustice. This biography, the first comprehensive work on Howells in fifty years, enters the consciousness of the man and his times, revealing a complicated and painfully honest figure who came of age in an era of political corruption, industrial greed, and American imperialism. Written with verve and originality in a highly absorbing style, it brings alive for a new generation a literary and cultural pioneer who played a key role in creating the American artistic ethos. William Dean Howells traces the writer's life from his boyhood in Ohio before the Civil War, to his consularship in Italy under President Lincoln, to his rise as editor of Atlantic Monthly. It looks at his writing, which included novels, poems, plays, children's books, and criticism. Howells had many powerful friendships among the literati of his day; and here we find an especially rich examination of the relationship between Howells and Mark Twain. Howells was, as Twain called him, "the boss" of literary critics-his support almost single-handedly made the careers of many writers, including African Americans like Paul Dunbar and women like Sarah Orne Jewett. Showcasing many noteworthy personalities-Henry James, Edmund Gosse, H. G. Wells, Stephen Crane, Emily Dickinson, and many others-William Dean Howells portrays a man who stood at the center of American literature through the late nineteenth and early twentieth centuries.

Howells, William Dean --- Critics --- Novelists, American --- Howells, William Dean, --- Howells, W. D. --- Howells, William D. --- Novelists [American ] --- 19th century --- Biography --- United States --- american authors. --- american imperialism. --- american letters. --- american literature. --- atlantic monthly. --- biography. --- civil war. --- classics. --- edmund gosse. --- emily dickinson. --- gender. --- greed. --- henry james. --- hg wells. --- industry. --- journalism. --- justice. --- labor. --- lincoln. --- literary criticism. --- literary movement. --- literature. --- naturalism. --- nonfiction. --- ohio. --- paul dunbar. --- political corruption. --- poverty. --- progressive era. --- realism. --- regionalism. --- robber barons. --- sarah orne jewett. --- social change. --- social justice. --- stephen crane. --- twain. --- wealth. --- william dean howells.

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When did Americans first believe they were at the center of a truly global culture? How did they envision that culture and how much do recent attitudes toward globalization owe to their often utopian dreams? In Utopia and Cosmopolis Thomas Peyser asks these and other questions, offers a reevaluation of American literature and culture at the dawn of the twentieth century, and provides a new context for understanding contemporary debates about America’s relation to the rest of the world.Applying current theoretical work on globalization to the writing of authors as diverse as Edward Bellamy, Charlotte Perkins Gilman, William Dean Howells, and Henry James, Peyser reveals the ways in which turn-of-the-century American writers struggled to understand the future in a newly emerging global community. Because the pressures of globalization at once fostered the formation of an American national culture and made national culture less viable as a source of identity, authors grappled to find a form of fiction that could accommodate the contradictions of their condition. Utopia and Cosmopolis unites utopian and realist narratives in subtle, startling ways through an examination of these writers’ aspirations and anxieties. Whether exploring the first vision of a world brought together by the power of consumer culture, or showing how different cultures could be managed when reconceived as specimens in a museum, this book steadily extends the horizons within which late nineteenth- and early twentieth-century American literature and culture can be understood.Ranging widely over history, politics, philosophy, and literature, Utopia and Cosmopolis is an important contribution to debates about utopian thought, globalization, and American literature.

American fiction --- Internationalism in literature. --- Nationalism in literature. --- Realism in literature. --- Utopias in literature. --- History and criticism. --- Internationalism in literature --- Nationalism in literature --- Realism in literature --- Utopias in literature --- Utopian literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism --- Bellamy, Edward, --- Gilman, Charlotte Perkins, --- Howells, William Dean, --- James, Henry, --- Howells, W. D. --- Howells, William D. --- Stetson, Charlotte Perkins, --- Gilman, Charlotte Perkins Stetson, --- Perkins, Charlotte Anna, --- Stetson, Charles Walter, --- Bellamy, Edvard, --- Beramī, Edowādo, --- בעלאמי, ע. --- בעללאמי, א. --- Criticism and interpretation. --- James, Henry --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- ‏جميس، هينري،‏ --- جيمز، هنرى --- Bellamy, Edward --- Bellamy, Edvard --- Beramī, Edowādo